These are the sources and citations used to research Mosh Pit Politics. This bibliography was generated on Cite This For Me on
In-text: (Adorno and Bernstein 117)
Your Bibliography: Adorno, Theodor W, and J. M Bernstein. The Culture Industry: Selected Essays On Mass Culture, Chapter 5: Freudian Theory And The Pattern Of Fascist Propaganda,. London: Routledge, 1991. Print.
“the festival calendar includes dozens of recent arrivals, like Festival Number 6, The Good Life Experience and Elderflower Fields, alongside established events such as Bestival, Latitude and Glastonbury. And the number is only increasing” “Britain cannot claim the music festival as its own. It is, of course, a phenomenon that has expanded across the globe”,
In-text: (Baker 1)
Your Bibliography: Baker, Lindsay. Why Music Festivals Won't Die. BBC, 2015. Web. 18 May 2019.
In-text: (Bennett and Woodward 11, 12)
Your Bibliography: Bennett, Andy, and Ian Woodward. The Festivalization Of Culture. London: Routledge, 2014. Print.
Your Bibliography: Curtis-Horsfall, Thomas. "The 20 Greatest Glastonbury Performances Of All Time." Festicket. N.p., 2018. Web. 23 May 2019.
Your Bibliography: DeRiso, Nick. "How Queen Stole The Show At Live Aid." Ultimate Classic Rock. N.p., 2015. Web. 23 May 2019.
In-text: (Elias and Dunning 89)
Your Bibliography: Elias, Norbert, and Eric Dunning. Quest For Excitement. Oxford: Basil Blackwell, 1986. Print.
In-text: (Fonarow 360)
Your Bibliography: Fonarow, Wendy. The Subcultures Reader: The Spatial Organization Of The Indie Music Gig. London: Routledge, 1997. Print.
In-text: (Gelder and Thornton)
Your Bibliography: Gelder, Ken, and Sarah Thornton. The Subcultures Reader. London ; New York: Routledge, 1997. Print.
In-text: ("Glastonbury Festival - Home")
Your Bibliography: "Glastonbury Festival - Home." GlastonburyFestival.co.uk. N.p., 2019. Web. 23 May 2019.
In-text: (Kane 1)
Your Bibliography: Kane, Pat. Hedonism, Escapism? No, Our Festivals Are Evolving. The Guardian, 2018. Web. 22 May 2019.
“the term ‘festival’ first showed up in the English language in the middle of the 16th century, derived from “feast” and most often centered around the harvest. Throughout history, music has played an important role at these mass cultural gatherings”
In-text: (Miotti 2)
Your Bibliography: Miotti, Mario. "THE HISTORY OF MUSIC FESTIVALS." Sparked Magazine 2017: 2. Web. 18 May 2019.
In-text: (MusicNews.com 1)
Your Bibliography: MusicNews.com. "British Music Festivals' Impact On Culture, Politics, Economics." 2019: 1. Web. 23 May 2019.
In-text: (Reidbord M.D.)
Your Bibliography: Reidbord M.D., Steven. "Review Of _Century Of The Self_, A BBC Documentary." Psychology Today. N.p., 2013. Web. 24 May 2019.
“UK gig and festival attendance reached 30.9 million people in 2016”.
In-text: (Roisin 1)
Your Bibliography: Roisin, O'Connor. More People Are Going To See Live Gigs And Festivals Than Ever Before. The Independent, 2017. Web. 18 May 2019.
In-text: (The Century Of The Self (Full Documentary))
Your Bibliography: The Century Of The Self (Full Documentary). 2015. Web. 24 May 2019.
In-text: (Young 77, 79)
Your Bibliography: Young, Jock. The Subcultures Reader: THE SUBTERRANEAN WORLD OF PLAY. London: Routledge, 1971. Print.
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