These are the sources and citations used to research Transmigration. This bibliography was generated on Cite This For Me on

  • Journal

    Adams, R.

    “Home sweet home, that’s where I come from, where I got my knowledge of the road and the flow from”: Grime music as an expression of identity in postcolonial London.

    2018 - Popular Music and Society

    In-text: (Adams 438-455)

    Your Bibliography: Adams, Ruth. "“Home Sweet Home, That’S Where I Come From, Where I Got My Knowledge Of The Road And The Flow From”: Grime Music As An Expression Of Identity In Postcolonial London.." Popular Music and Society 42.4 (2018): 438-455. Web.

  • Website

    Ben-Edigbe, T.

    J Hus Is Carving Out a New British Sound, Injecting UK Afrobeats with Rudeboy Flavor

    2016 - Vice Media

    In-text: (Ben-Edigbe)

    Your Bibliography: Ben-Edigbe, Timi. "J Hus Is Carving Out A New British Sound, Injecting UK Afrobeats With Rudeboy Flavor." Noisey by Vice. N.p., 2016. Web. 20 Jan. 2020.

  • Journal

    Bush, B.

    African Echoes, Modern Fusions: Caribbean Music, Identity and Resistance in the African Diaspora

    2006 - Music Reference Services Quarterly

    In-text: (Bush 17-35)

    Your Bibliography: Bush, Barbara. "African Echoes, Modern Fusions: Caribbean Music, Identity And Resistance In The African Diaspora." Music Reference Services Quarterly 10.1 (2006): 17-35. Web.

  • Website

    Ekpoudom, A.

    Did you see what I done? How J Hus became the voice of young black Britain

    2019 - Guardian News & Media Limited

    In-text: (Ekpoudom)

    Your Bibliography: Ekpoudom, Aniefiok. "Did You See What I Done? How J Hus Became The Voice Of Young Black Britain." The Guardian. N.p., 2019. Web. 20 Jan. 2020.

  • Dissertation

    Harris, D.

    Carni: Articulations in the Caribbean Diaspora: London's Carnival Arts Scene and the Cultural Politics of Space, Place, and Value


    In-text: (Harris)

    Your Bibliography: Harris, Deonte. "Carni: Articulations In The Caribbean Diaspora: London's Carnival Arts Scene And The Cultural Politics Of Space, Place, And Value." Ph.D. University of California, Los Angeles, 2018. Print.

  • Journal

    Landau, C.

    Disseminating Music amongst Moroccans in Britain: Exploring the Value of Archival Sound Recordings for a Cultural Heritage Community in the Diaspora

    2012 - Ethnomusicology Forum

    In-text: (Landau 259-277)

    Your Bibliography: Landau, Carolyn. "Disseminating Music Amongst Moroccans In Britain: Exploring The Value Of Archival Sound Recordings For A Cultural Heritage Community In The Diaspora." Ethnomusicology Forum 21.2 (2012): 259-277. Web.

  • Book

    Lefebvre, H.

    The Production of Space

    1991 - Blackwell Publishing - Oxford, United Kingdom

    In-text: (Lefebvre)

    Your Bibliography: Lefebvre, Henri. The Production Of Space. Oxford, United Kingdom: Blackwell Publishing, 1991. Print.

  • Book

    Massey, D.

    Space, Place and Gender

    1994 - University of Minnesota Press - Minneapolis

    In-text: (Massey)

    Your Bibliography: Massey, Doreen. Space, Place And Gender. Minneapolis: University of Minnesota Press, 1994. Print.

  • Journal

    Ramnarine, T. K.

    “Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London

    1996 - British Journal of Ethnomusicology

    In-text: (Ramnarine 133-153)

    Your Bibliography: Ramnarine, Tina Karina. "“Indian” Music In The Diaspora: Case Studies Of “Chutney” In Trinidad And In London." British Journal of Ethnomusicology 5.1 (1996): 133-153. Web.

  • Journal

    Small, C.

    Musicking — the meanings of performing and listening. A lecture

    1999 - Music Education Research

    In-text: (Small 9-22)

    Your Bibliography: Small, Christopher. "Musicking — The Meanings Of Performing And Listening. A Lecture." Music Education Research 1.1 (1999): 9-22. Web. 20 Jan. 2020.

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